hybrid, transcultural: romani/arabic/amazigh/iberian/persian influences in what music
Front
flamenco
Back
sabicas
Front
Romani heritage; left Spain during the civil war
Back
Fatima tabamrant
Front
occurs internationally and is political in moroccan parliament al
Back
palmas
Front
clapping
Back
bulerias
Front
tomatito- renowned guitarist
Back
early Cordoba
Front
the center
Back
Amazigh "berber"
Front
indigenous groups of Maghreb; speak variety of dialects of mutually intelligible but sociologically distinct languages
Back
North Africa
Front
"Maghreb" (place of setting sun)
Back
tonas
Front
pre flamenco song styles
Back
Gnawa
Front
considered sacred; patients temporarily gives up body to spirits so it may enjoy song and dance
Back
Nuba
Front
musical form of Andalusian music in 1 mode with multiple instrumental and vocal parts
Back
Guembri
Front
"strange" instrument with 3 strings (very famous instrument); low sound played with drums and voice
Back
ziryab
Front
lived throughout North Africa and in Coroba; credited with influencing music and culture of Andalusia and Maghreb throughout its subsequent circulation translate to "blackbird"
Back
raysa
Front
traveling singers who included current events in song that had moral messages
Back
flamenco
Front
derived from Andalusian folk music in Southern Spain
Back
solea
Front
street performance in southern Spain
"Mother of Flamenco Singing"
foundational to many flamenco styles
emotional intensity
Back
Seville and Cadiz are centers of what music
Front
North Africa
Back
ahwash
Front
participative festival within the community
Back
Amazigh, Islamic, and Arabic cultural practices are established where