Section 1

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Cool Jazz

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Last updated

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Date created

Mar 1, 2020

Cards (114)

Section 1

(50 cards)

Cool Jazz

Front

A style introduced about 1950 for large bands that included some symphonic instruments

Back

Scatting/ Scat Singing

Front

Improvised Jazz singing in which the voice is used in imitation of an instrument

Back

Urban Blues

Front

Blues pieces written for publication and professional performance

Back

Modes

Front

Seven-note scales within the range of an octave, including but not limited to the scale patterns we call major and minor

Back

Tango

Front

Graceful, sensuous Argentinean dance, the first of the Latin rhythms to become popular in the United States

Back

Salsa

Front

Popular Cuban dance band music with rhythms derived from African American dances

Back

Rural/Country Blues

Front

Resembled Folk music in sound, but highly distinctive in form. Songs regarded work, love, & every day troubles

Back

Twelve-bar blues

Front

Blues Form: Each stanza had three lines, and each line had four measures or bars. It was the only purely American contribution to musical form

Back

Bomba

Front

Puerto Rican couple dance derived from Africa

Back

Bebop

Front

A complex, highly improvised jazz style, largely developed by Charlie Parker and Dizzy Gillespie

Back

Cu-bop

Front

Dizzy Gillespie's fusion of Latin rhythms with bebop

Back

Big Bands

Front

Popular dance ensembles of the 1930s and 1940s, consisting of twelve to eighteen players

Back

Atonal

Front

With no tonic note or tonal relationships

Back

Mambo

Front

Afro-Cuban form of big band dance music

Back

Chachacha

Front

A slower version of the mambo, with a double beat added between the last and first beats of each measure

Back

Classic Blues

Front

Performed in theaters, clubs, and recordings; often had a band backing them up. More professional than rural. Most singers were women.

Back

Habanera

Front

Cuban dance, whose rhythm is the basis of the tango

Back

Conjunto

Front

Ensemble accompanying dance and song in norteño music, north and south of the Mexico-Texas border

Back

Rumba

Front

Group of Afro-Cuban musical and dance forms, with many variants

Back

Concerto

Front

A multimovement (usually 3-movement) work for orchestra plus solo instruments or instruments

Back

Rock and Roll

Front

A popular music of the mid-1950s to mid-1960s that combined characteristics of rhythm and blues and country-western music

Back

Mariachis

Front

Mexican strolling groups of musicians, including strings and often led by one or more trumpets

Back

Norteño

Front

Texas Mexican-American style of music

Back

New Orleans Jazz

Front

Virtuosic improvisation by members of a jazz combo on a given melody

Back

Hard Bop

Front

Simple tunes accompanied by repetitive rhythms

Back

Combo

Front

A small jazz ensemble

Back

Race Records

Front

Records intended for an African American audience

Back

Progressive Jazz

Front

A symphonic approach to jazz, introduced by Stan Kenton

Back

Tejano

Front

Music of Mexican Americans born and living in South Texas

Back

Riff

Front

A repeated melodic or rhythmic pattern that provides unity in a jazz composition

Back

Jam

Front

To improvise together informally

Back

Blues

Front

Foundation of Jazz; derive from African American traditions

Back

AAB Form

Front

Form that Blues were played in; consisted of statement, repeat, response.

Back

Kansas City Jazz

Front

A light, spacious, relaxed style based on melodic riffs

Back

Swing

Front

A term with many meanings, including a mood of lilting spontaneity and a danceable music played by the big bands in the 1930s and 1940s

Back

Conga

Front

Cuban carnival dance-march, performed in a chain, with a heavy kick marking every fourth beat

Back

Eight-to-the-bar

Front

Ostinato that accompanies a boogie. Each of the four counts in a measure is divided into long and short beat

Back

Samba

Front

Most famous Brazilian song-dance; duple meter

Back

Boogie-Woogie or Piano BLues

Front

A popular piano style with the form and harmony of the blues, but a faster tempo and a dance beat

Back

Bossa Nova

Front

Brazilian rhythm, slower, more subtle than Cuban dances, reflecting the influence of cool and progressive jazz

Back

Reeds

Front

Small, flexible pieces of material on wind instruments that vibrate

Back

Dixieland

Front

A white imitation of New Orleans Jazz, introduced in Chicago; faster and more intense than NOJ

Back

Irregular Meters

Front

Meters other than duple, triple, or quadruple (usually five or seven to the bar)

Back

Blue notes

Front

"bent" or slurred, unclear notes

Back

Rhythms and Blues (R&B)

Front

Broadly, black popular music of the 1950s. A black popular style in quadruple meter, with strong backbeats and a danceable tempo

Back

Polytonal

Front

Multiple simultaneous keys

Back

Jazz

Front

a type of music of black American origin characterized by improvisation, syncopation, and usually a regular or forceful rhythm, emerging at the beginning of the 20th century

Back

Doo-wop

Front

The name given to background vocal ensembles that accompanied Motown singers, often by singing neutral or nonsense syllables

Back

Sweet Jazz

Front

Music with the sound and flavor of jazz, but arranged so that playing it requires little improvisation

Back

Stride Piano

Front

A jazz piano style in which the left hand alternates low bass notes (1 & 3) with midrange chords (2 & 4)

Back

Section 2

(50 cards)

Source or Diegetic Music

Front

Music heard by characters in a film as well as by the audience

Back

Quarter Tones

Front

The interval halfway between half steps

Back

Chamber Opera

Front

An opera for a small number of performers

Back

Microtone

Front

Any interval smaller than a half step

Back

Chorus

Front

a large ensemble, with several voices on each part

Back

Recitative

Front

A declamatory setting of text, with rhythms and inflections related to those of speech. Used in opera and other dramatic vocal works

Back

Opera

Front

A drama that is sung, usually with orchestral accompaniment

Back

Sound Track

Front

All the dialogue, sound effects, and music of a film

Back

Concept Musical

Front

A musical show presenting ideas subject to the audience's interpretation and leaving situations unresolved at the end

Back

Patter Song

Front

A feature of Gilbert and Sullivan operettas (and other forms of music theater) in which humorous words are sung very rapidly, with comic effect

Back

Theremin

Front

The earliest electronic musical instrument

Back

Chamber Musical

Front

Musical for a small cast and economical resources

Back

Libretto

Front

The words of an opera or another dramatic vocal work

Back

Ziegfeld Follies

Front

Elegant revues produced by Florenz Ziegfeld nearly every year from 1907 to 1932

Back

Functional or Nondiegetic Music

Front

Film music heard by the audience only

Back

Operetta (light opera)

Front

A form of music theater in which the music and dancing are closely integrated with the plot

Back

Tone Cluster

Front

A chord, usually of several tones, built upon seconds. Often played with a flat of the hand, the arm, or a broad cut to a particular length

Back

Musical Comedy

Front

A play with music, in which the elements of entertainment are connected by a plot

Back

New Music

Front

The term used for music of an experimental nature

Back

Vaudeville

Front

A show with various acts including blackface scenes, dogs, circus stunts, songs, and dance

Back

Oklahoma!

Front

Landmark musical, by Rodgers and Hammerstein, integrating all elements of entertainment into the drama

Back

Payola

Front

The acceptance by disc jockeys of money and gifts in return for plugging recordings

Back

Temp

Front

Temporary film score, composed of existing music, offered to demonstrate to a film's composer the type of music desired for the film

Back

Treemonisha

Front

An opera by Scott Joplin

Back

Polyrhythms

Front

Two or more simultaneous rhythmic patterns

Back

Burlesque

Front

A variety show featuring satirical humor; later associated with striptease acts

Back

Motown

Front

A highly successful black company that recorded, published, and sponsored black popular music

Back

Experimental Music

Front

Music challenging traditional concepts of musical sound

Back

Aria

Front

A songlike setting, musically expressive, accompanied by the orchestra

Back

Bionality

Front

Two keys at the same time

Back

Ensemble

Front

In music theater, a group of solo singers, performing their own words and music at the same time

Back

Classical Hollywood Film Score

Front

Lush orchestral score particularly associated with films of the 1930s, 1940s, and 1950s

Back

Funk

Front

Rock music rooted in soul but with lyrics that express interracial concerns

Back

Collective Improvisation

Front

Simultaneous improvisation by some or all members of a combo

Back

Soul

Front

A fervent, emotional black style rooted in gospel and the blues

Back

Book Shows

Front

Musicals with an integrated plot

Back

Film Score

Front

All the music accompanying a film

Back

Gilbert and Sullivan Operettas

Front

Comic English musicals (words by Gilbert; music by Sullivan)

Back

Rockability

Front

A close amalgamation of country music and rock and roll

Back

Choreographer

Front

Person who designs the steps and movements of dancers

Back

Multimedia Show

Front

Performance including some combination of music, dance, film, slides, tape recordings, and other sound and visual techniques

Back

Surfing Songs

Front

Songs by the Beach Boys and other groups reflecting the easy California lifestyle

Back

Mickey Mousing

Front

Musically mimicking or accenting an action

Back

Overture

Front

In musical theater, an introductory instrumental piece

Back

Free Jazz

Front

A style of free improvisation introduced by Orenette Coleman in 1960s

Back

Show Boat

Front

Landmark musical by Jerome Kern, based on a literary work and addressing sensitive social issues

Back

Jazz-Rock Fusion

Front

Rock instrumentation blended with the improvisation and flexible rhythms of jazz

Back

New Age

Front

A soft rock style providing soothing, repetitious blocks of gentle, unassuming sounds produced by synthesizers or acoustic folk instruments

Back

Revue

Front

Originally, a show with the lavish staging and costumes but no integrated plot. Later, a series of scenes united by a theme but without a plot

Back

Third Stream

Front

Term coined by Gunther Schuller, referring to the combination, but not the blending, of jazz and classical music.

Back

Section 3

(14 cards)

Fingerboard

Front

A board on the synthesizer that is uninterrupted by keys or frets, allowing a player to slide through a continuum of pitches

Back

Gamelan

Front

An Indonesian percussion ensemble

Back

Electronic Synthesizer

Front

An electronic sound generator capable of producing, imitating, and altering sounds

Back

Fixed Media

Front

Concrete music, with content and duration electronically fixed

Back

Tape Music

Front

Electronically generated sounds that have been recorded on tape and manipulated to create a music composition

Back

Aleatory Music (Chance Music)

Front

Music in which the composer has left significant decisions to the performer or to chance. An extreme version of this is Random Music

Back

Prepared Piano

Front

A grand piano on which some or all of the strings have been "prepared" by placing foreign materials on them to alter pitch, timbre, and dynamic level

Back

Minimalism

Front

A style of music based upon many repetitions of simple melodic and rhythmic patterns

Back

Theater Score

Front

Concert Pieces that include visual and dramatic elements as well as music

Back

Filters

Front

Devices to select out high and low pitches electronically from a wide band of sound to produce a narrow band of melody

Back

Art Song

Front

Concert setting of a poem to music

Back

Concrete Music

Front

Music that has been created by manipulating taped sounds.

Back

Oscillators

Front

The means by which pitch is determined on the electronic synthesizer

Back

Twelve-Tone

Front

A technique of organizing music in which all twelve tones of the octave are of equal significance

Back