Section 1

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FIGURATIVE LANGUAGE/ FIGURE OF SPEECH

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Cards (77)

Section 1

(50 cards)

FIGURATIVE LANGUAGE/ FIGURE OF SPEECH

Front

Figurative ( in contrast to literal ) language has levels of meaning expressed through figures of speech such as personification, metaphor, hyperbole, irony, oxymoron, litotes, and others

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ASYNDETON "Veni. vidi, vici

Front

A syntactical structure in which conduction are omitted in a series, usually producing more rapid prose

Back

EXPOSITION

Front

Writing that explains its own meaning or purpose

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ETHOS

Front

In rhetoric, the appeal of a text to the credibility and character of the speaker, writer, or narrator. (Who is this person saying so, and what makes him able to say so?)

Back

ALLITERATION "She sells seashells by the seashore"

Front

The sequential repetition os a similar initial sound, usually applied to consonants usually in closely proximate stressed syllables.

Back

INRONY (IRONIC)

Front

the contrast between what is stated explicitly and what is really meant. The intended meaning is often the opposite what is states, often light sarcasm. Verbal Irony- what the author says is actually the opposite of what is meant Situational Irony- when events end up the opposite of what is expected Dramatic irony- in drama and fiction, facts or situations are known to the reader or audience but no to the characters

Back

DIALECT Minnesotans say "you betcha" when they agree w you

Front

the language and speech idiosyncrasies of a specific area, region, or group.

Back

CONNOTATION "dictionary definition" of the word

Front

the implied, suggested, or underlying meaning of a word or phrase opposite of denotation

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LITOTE "Last week I saw a women flayed and you would hardly believe how much it altered her person for the worse"

Front

figure of speech that emphasizes its subject by conscious understatement; for instance, the understated 'not bad' as a comment about something especially well done.

Back

JARGON

Front

specialized of technical language of a trade, profession, or similar group. The computer industry, for example, has introduced much jargon into our vocabulary, such as geek, crash, down, interface, delete, virus, and bug.

Back

ELEGY "Many public elegies were presented in the aftermath of Hurricane Katrine."

Front

A poem or prose work that laments m or mediates upon the death of, a person or persons. Sometimes an elegy will end with words of consolation.

Back

ALLUSION "One might contrast the life and tribulations of Fredrick Douglass to the trials of Job"

Front

A literary, historical, religious, or mythological reference.

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DEDUCTIVE REASONING ( deduction )

Front

The method of argument in which specific statements and conclusions are drawn from general principles; movement from the general to the specific, in contrast to inductive reasoning. ( deduction "

Back

IMPERATIVE SENTENCE

Front

A type of sentence that gives instructions, advice, or commands

Back

CHIASMUS "He thinks I am but a fool. A fool, perhaps I am"

Front

A figure of speech and generally a syntactical structure wherein the order of the terms in the first half of a parallel clause is reversed in he second

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ANAPHORA "To raise a happy, healthful, and hopeful child, it takes a family, it takes teachers, it takes clergy, it takes businesspeople, it takes community leaders, it takes those who protect our health and safety"

Front

The regular repetition of the same words or phrases at the beginning of successive phrases or clauses.

Back

CLAIM

Front

In argumentation, an assertion of something as fact

Back

INDUCTIVE REASONING (INDUCTION)

Front

the method or reasoning or argument in which general statements and conclusions are drawn from specific principles; movement from specify to the general. In other words, a general supposition is made after investigating specific instances, a common logic used in scientific study.

Back

IMAGERY "her cheeks were rosy and so was my love-- bursting with fragrance and softness" Here metaphor is used with the images of rosy cheeks (the visual color) and the smell and feel of roses

Front

broadly defined, any sensory detail or evocation in a work; more narrowly, the use of figurative language to evoke a feeling, to call to mind and idea, or to describe an object. Basically, imagery involves any or all of the five senses. A writer generally uses imagery in conjunction with other figures of speech, such as simile and metaphor.

Back

JUXTAPOSITION

Front

the location of one thing adjacent to or juxtaposed with another to create an effect, reveal an attitude, or accomplish some other purpose.

Back

ASSONANCE (alliteration) "She sells seashells by the seashore"

Front

The repetition of identical or similar vowel sounds, usually in successive or proximate words.

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HYPERBOLE

Front

overstatement characterized language, usually to make a point or draw attention. If you are hungry and say, "Im staving" That is hyperbole

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APHORISM "Spare the rod and spoil the child"

Front

A concise statement designed to make a point or illustrate a commonly held belief

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ATTITUDE

Front

The sense expressed by the tone of voice or the mood of a piece of writing; the author's feelings toward his or her subject, charters, events, or theme. It might even his or her feelings for the reader.

Back

COMPARISON AND CONTRAST

Front

A mode of discourse in which two or more things are compared, contrasted, or both.

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APPEALS TO... AUTHORITY, EMOTION, OR LOGIC "Ethos = authority" "Pathos = emotion" "Logos = logic"

Front

Rhetorical arguments in which the speaker claims to be an authority or expert in a field, attempts to play upon the emotions, or appeals to the use of reason.

Back

ALLEGORY "Cupid portrayed as a chubby angel with a bow and arrows."

Front

A narrative in which the characters, behavior, and even the setting demonstrate multiple levels of meaning and significance. A universal symbol of personified abstraction,.

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HOMILY

Front

A sermon, but more contemporary uses include any serious talk, speech, or lecture involving moral or spiritual life, John Donne was known for his homilies, among other things

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DICTION

Front

the specific word choice an author uses to persuade or covey tone, purpose, or effect

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FLASHBACK

Front

(also known as retrospection) an earlier event is inserted into the normal chronology of the narration

Back

DIDACTIC ( Greek, meaning " good teaching"

Front

writing or speech is didactic when it has am instructive purpose or a lesson. It is often associated with a dry, pompous presentation, regardless of its innate value to the reader/listener

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CONCEIT "Richards Selzer's passage "The Knife," compares the preparation and actions of surgery to preparing for and conducting a religious service or a sacred ritual.

Front

A comparison of two unlikely things that is drawn out within a piece of literature, in particular an extended metaphor within a poem. Also can be used in nonfictions and prose

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CANON "canon law, canon according to the theories of Einstein"

Front

That which has been accepted as authentic

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EXTENDED METAPHOR

Front

A series of comparisons within a piece of writing. If they consistently involve one concept, this is also known as a conceit.

Back

BEGGING THE QUESTION

Front

An argumentative ploy where the arguer sidesteps the question or the conflict, evading or ignoring the real question

Back

INFERENCE

Front

A conclusion or proposition arrived at by considering facts, observations, or some other specific date. IT is through inference-- looking at the clues, learning the facts--that Shelock Holmes was able to solve the crimes.

Back

ISOCOLON 'Many are called but few are chosen"

Front

parallel structure in which the parallel elements are similar not only in grammatical structure but also in length.

Back

CONSONANCE "Pitter-patter, splish-splash, and click-clack"

Front

The repetition of two or more consonants with a change in the intervening vowels. Consonance is not to be confused with alliteration, the repeated consonant sounds at the beginning of a word.

Back

CRITIQUE

Front

An assessment or analysis of something, such as a passage or writing, for the purpose of determining what it is, what its limitations are, and how it conforms to the standard of the genre.

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LOOSE SENTENCE (a term from syntax)

Front

a long sentence that starts with its main clause, which is followed by several dependent clauses and modifying phrases; for example "The child ran, frenzied and ignoring all hazards as if being chased by demons."

Back

EUPHEMISM

Front

An indirect, kinder, or less harsh or hurtful or hurtful way of expressing unpleasant information. For instance, it is much nicer for a person who has just been given a pink slip to hear that she has been made redundant rather than she has hereby been terminated.

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GENRE

Front

a type of class of literature, such as epic, narrative, poetry, biography, history

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CONVENTION "Aristotle conventions of tragedy"

Front

An accepted manner, model, or tradition

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APOSTROPHE

Front

The act of addressing some inanimate abstraction or person that is not physically present: It of tens helps the speaker to be able to express his or her thoughts aloud.

Back

EPISTROPHE

Front

In rhetoric, the repetition of a phrase at the end of successive sentences. For example: "if women are healthy and educated, their families will fourths. If women are free from violence, their families will flourish. if women have a chance to work.. their families will flourish."

Back

EPITAPH

Front

Writing in praise of a dead person. most often inscribed upon a headstone

Back

METAPHOR

Front

one thing pictures as if it were something else, suggesting a likeness or analogy, metaphor is an implicit comparison or identification of one thing with another, without the use of a verbal signal such as like or as, which is a simile. Shakespeare says " It is the east and juliet is the sun" directly simpering juliet to the sun. Sometimes the term metaphor is used as general term for any figure of speech.

Back

EULOGY

Front

A written passage in praise of a person; an oration in honor of a deceased person. Elegy laments; eulogy praises. Many eulogies are spoken in honor of the braves firefighters who heroically risk their lives while saving the lives of others.

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ANTITHESIS "Alexander Pope reminds us that "to err is human, to forget divine"

Front

The juxtaposition of sharply contrasting ideas in balanced or parallel words, phrases, grammatical structure, or idea.

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COLLOQUIAL "coke" "coca cola" "pop"

Front

A term identifying of the common, ordinary folks especially in specific region or area.

Back

Section 2

(27 cards)

TONE

Front

the attitude the narrator takes toward a subject and theme; the tenor of a piece of writing based on particular stylistic devices employed by the writing. Tone reflects the narrator's attitude

Back

VOICE

Front

the acknowledged or unacknowledged source of the words of the story; the speaker's or narrator's particular "take" on an ideas bases on a particular passage and how all the elements of the styles of the piece come together to express his or her feelings

Back

PERSONIFICATION

Front

treating an abstraction or nonhuman object as if it were a person by endowing it with human features or qualities. "tossing their head in sprightly dance" An example from a prose speech is: "Once again the heart of America is heavy. The spirit America weeps for a tragedy that denies the very meaning of our land.

Back

SIMILE There was a steamy mist in all the hollows, and it had roared in its forlornness up the hill LIKE an evil spirit

Front

a direct, explicit comparison of one thing to another, usually using the words like or as to draw connection

Back

MOOD

Front

a feeling or ambience resulting from the tone of a piece as week as the writer/ narrator's attitude and point of view. It is a 'feeling' that established the atmosphere in a work of literature or other discourse

Back

METONYMY

Front

a figure of speech in which an attribute or commonly associated feature is used to name or designate something as in "Buckingham Palace announced today"

Back

RHETORICAL QUESTION

Front

a question that is asked simply for the sake of stylistic effect and is not expected to be answered.

Back

ONOMATOPOEIA "Becca whacked the ball over the fence and took her time walking the bases."

Front

A word capturing or approximating the sound of what it describes; buzz is a good example/ The purpose of these words is to make a passage more effective for the reader or listener;

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REALISM

Front

attempting to describe nature and life without idealization and with attention to detail Marl Twain is an author of this school. Thoreau, with his romantic outlook toward nature, is not.

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REBUTTAL/REFUTATION

Front

an argument technique wherein opposing arguments are anticipated and countered

Back

SYNTAX

Front

the way words are put together to form phrases, clauses, and sentences. Syntax is sentence structure and how it influences the way the reader receives a particular piece of writing. It is important in establishing the tone of a piece and the attitude of the author/narrator. See loose sentence, parallel structure, and periodic sentence.

Back

PATHOS

Front

that elements in literature that stimulates pity or sorrow. In argument or persuasion, it tends to be the evocation of pity from the reader/listener. Think of it as the "poor starving children" approach to convincing you

Back

STYLE

Front

the manner in which as writer combines and arranges words, shapes ideas, and utilizes syntax and structure. It is the distinctive manner of expression that represents that author's typical wiring structure.

Back

OXYMORON

Front

A figure of speech that combines two apparently contradictory elements, as in "wise fool," "baggy tights," "deafening silence."

Back

SYMBOLISM

Front

use of a person, place, thing, event, or pattern that figuratively represents or "stands for" something else. Often the thing or idea represented is more abstract or general than the symbol, which is concrete."Everyone recognizes the symbol of the golden arches representing Mc Donalds"

Back

SARCASM

Front

a form of verbal irony in which apparent praise is actually critical. Sarcasm can be light and gently poke fun at something, or it can be harsh, caustic, and mean.

Back

THEME

Front

the central or dominant idea or focus of a work; the statement a passage makes about its subject

Back

SYNECDOCHE

Front

A figure of speech in which a part signifies the whole, such as "5- masts" representing 50 ships, or 100 head (of steer) had to be moved to their grazing land."

Back

PARADOX

Front

a statement that seems contradictory but is probably true. A popular paradox from the 1960s was that war protesters would 'fight for peace'

Back

PROSE

Front

the ordinary form of written language without metrical structure, in contrast to verse and poetry

Back

ZEUGMA

Front

a grammatically correct construction in which a word, usually a verb or adjective, is applied to two to more nouns without being repeated. Often used to comic effect. ("the thief took my wallet and the Fifth Avenue bus"

Back

RHETORIC

Front

the art of using words to persuade in writing or speaking. All types of writing may seek to persuade, and rhetoricians study writing for its persuasive qualities

Back

PERIODIC SENTENCE "looking as if she were being chases by demons, ignoring all hazards, the child ran" or "The child, who looked as if she were being chased by demons, frenzied and ignoring all hazards, ran."

Front

a long sentence in which the main clause is not completed until the end.

Back

MODE OF DISCOURSE

Front

the way which information is presented in written or spoken form. The Greeks there were only four of discourse: narration, description, exposition, and argumentation. Contemporary thought often includes other modes, such as person observation and narrative reflection.

Back

PARALLEL STRUCTURE

Front

the use of similar forms in writing for nouns, verbs, phrases, or thoughts; for example. "Jane enjoys reading, writing, and skiing.' In pose, this is the parallel, recurrent syntactical similarity where several parts of a sentence or several sentences are expressed alike to show that their ideas are equal in importance. A Tale of Two Cities opens with "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness.

Back

POINT OF VIEW

Front

the relation in which a narrator stands to a subject of discourse. Determining point of view in nonfiction requires the reader to establish the historical perspective of what is being said

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NARRATIVE

Front

a mode discourse that ells a story of some sort. it is based sequences of connected events, usually presented in straightforward, chronological framework.

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