Figurative ( in contrast to literal ) language has levels of meaning expressed through figures of speech such as personification, metaphor, hyperbole, irony, oxymoron, litotes, and others
Back
ASYNDETON
"Veni. vidi, vici
Front
A syntactical structure in which conduction are omitted in a series, usually producing more rapid prose
Back
EXPOSITION
Front
Writing that explains its own meaning or purpose
Back
ETHOS
Front
In rhetoric, the appeal of a text to the credibility and character of the speaker, writer, or narrator. (Who is this person saying so, and what makes him able to say so?)
Back
ALLITERATION
"She sells seashells by the seashore"
Front
The sequential repetition os a similar initial sound, usually applied to consonants usually in closely proximate stressed syllables.
Back
INRONY (IRONIC)
Front
the contrast between what is stated explicitly and what is really meant. The intended meaning is often the opposite what is states, often light sarcasm.
Verbal Irony- what the author says is actually the opposite of what is meant
Situational Irony- when events end up the opposite of what is expected
Dramatic irony- in drama and fiction, facts or situations are known to the reader or audience but no to the characters
Back
DIALECT
Minnesotans say "you betcha" when they agree w you
Front
the language and speech idiosyncrasies of a specific area, region, or group.
Back
CONNOTATION
"dictionary definition" of the word
Front
the implied, suggested, or underlying meaning of a word or phrase
opposite of denotation
Back
LITOTE
"Last week I saw a women flayed and you would hardly believe how much it altered her person for the worse"
Front
figure of speech that emphasizes its subject by conscious understatement; for instance, the understated 'not bad' as a comment about something especially well done.
Back
JARGON
Front
specialized of technical language of a trade, profession, or similar group. The computer industry, for example, has introduced much jargon into our vocabulary, such as geek, crash, down, interface, delete, virus, and bug.
Back
ELEGY
"Many public elegies were presented in the aftermath of Hurricane Katrine."
Front
A poem or prose work that laments m or mediates upon the death of, a person or persons. Sometimes an elegy will end with words of consolation.
Back
ALLUSION
"One might contrast the life and tribulations of Fredrick Douglass to the trials of Job"
Front
A literary, historical, religious, or mythological reference.
Back
DEDUCTIVE REASONING
( deduction )
Front
The method of argument in which specific statements and conclusions are drawn from general principles; movement from the general to the specific, in contrast to inductive reasoning. ( deduction "
Back
IMPERATIVE SENTENCE
Front
A type of sentence that gives instructions, advice, or commands
Back
CHIASMUS
"He thinks I am but a fool. A fool, perhaps I am"
Front
A figure of speech and generally a syntactical structure wherein the order of the terms in the first half of a parallel clause is reversed in he second
Back
ANAPHORA
"To raise a happy, healthful, and hopeful child, it takes a family, it takes teachers, it takes clergy, it takes businesspeople, it takes community leaders, it takes those who protect our health and safety"
Front
The regular repetition of the same words or phrases at the beginning of successive phrases or clauses.
Back
CLAIM
Front
In argumentation, an assertion of something as fact
Back
INDUCTIVE REASONING (INDUCTION)
Front
the method or reasoning or argument in which general statements and conclusions are drawn from specific principles; movement from specify to the general. In other words, a general supposition is made after investigating specific instances, a common logic used in scientific study.
Back
IMAGERY
"her cheeks were rosy and so was my love-- bursting with fragrance and softness" Here metaphor is used with the images of rosy cheeks (the visual color) and the smell and feel of roses
Front
broadly defined, any sensory detail or evocation in a work; more narrowly, the use of figurative language to evoke a feeling, to call to mind and idea, or to describe an object. Basically, imagery involves any or all of the five senses. A writer generally uses imagery in conjunction with other figures of speech, such as simile and metaphor.
Back
JUXTAPOSITION
Front
the location of one thing adjacent to or juxtaposed with another to create an effect, reveal an attitude, or accomplish some other purpose.
Back
ASSONANCE
(alliteration)
"She sells seashells by the seashore"
Front
The repetition of identical or similar vowel sounds, usually in successive or proximate words.
Back
HYPERBOLE
Front
overstatement characterized language, usually to make a point or draw attention. If you are hungry and say, "Im staving" That is hyperbole
Back
APHORISM
"Spare the rod and spoil the child"
Front
A concise statement designed to make a point or illustrate a commonly held belief
Back
ATTITUDE
Front
The sense expressed by the tone of voice or the mood of a piece of writing; the author's feelings toward his or her subject, charters, events, or theme. It might even his or her feelings for the reader.
Back
COMPARISON AND CONTRAST
Front
A mode of discourse in which two or more things are compared, contrasted, or both.
Rhetorical arguments in which the speaker claims to be an authority or expert in a field, attempts to play upon the emotions, or appeals to the use of reason.
Back
ALLEGORY
"Cupid portrayed as a chubby angel with a bow and arrows."
Front
A narrative in which the characters, behavior, and even the setting demonstrate multiple levels of meaning and significance. A universal symbol of personified abstraction,.
Back
HOMILY
Front
A sermon, but more contemporary uses include any serious talk, speech, or lecture involving moral or spiritual life, John Donne was known for his homilies, among other things
Back
DICTION
Front
the specific word choice an author uses to persuade or covey tone, purpose, or effect
Back
FLASHBACK
Front
(also known as retrospection) an earlier event is inserted into the normal chronology of the narration
Back
DIDACTIC
( Greek, meaning " good teaching"
Front
writing or speech is didactic when it has am instructive purpose or a lesson. It is often associated with a dry, pompous presentation, regardless of its innate value to the reader/listener
Back
CONCEIT
"Richards Selzer's passage "The Knife," compares the preparation and actions of surgery to preparing for and conducting a religious service or a sacred ritual.
Front
A comparison of two unlikely things that is drawn out within a piece of literature, in particular an extended metaphor within a poem.
Also can be used in nonfictions and prose
Back
CANON
"canon law, canon according to the theories of Einstein"
Front
That which has been accepted as authentic
Back
EXTENDED METAPHOR
Front
A series of comparisons within a piece of writing. If they consistently involve one concept, this is also known as a conceit.
Back
BEGGING THE QUESTION
Front
An argumentative ploy where the arguer sidesteps the question or the conflict, evading or ignoring the real question
Back
INFERENCE
Front
A conclusion or proposition arrived at by considering facts, observations, or some other specific date. IT is through inference-- looking at the clues, learning the facts--that Shelock Holmes was able to solve the crimes.
Back
ISOCOLON
'Many are called but few are chosen"
Front
parallel structure in which the parallel elements are similar not only in grammatical structure but also in length.
Back
CONSONANCE
"Pitter-patter, splish-splash, and click-clack"
Front
The repetition of two or more consonants with a change in the intervening vowels.
Consonance is not to be confused with alliteration, the repeated consonant sounds at the beginning of a word.
Back
CRITIQUE
Front
An assessment or analysis of something, such as a passage or writing, for the purpose of determining what it is, what its limitations are, and how it conforms to the standard of the genre.
Back
LOOSE SENTENCE
(a term from syntax)
Front
a long sentence that starts with its main clause, which is followed by several dependent clauses and modifying phrases; for example "The child ran, frenzied and ignoring all hazards as if being chased by demons."
Back
EUPHEMISM
Front
An indirect, kinder, or less harsh or hurtful or hurtful way of expressing unpleasant information. For instance, it is much nicer for a person who has just been given a pink slip to hear that she has been made redundant rather than she has hereby been terminated.
Back
GENRE
Front
a type of class of literature, such as epic, narrative, poetry, biography, history
Back
CONVENTION
"Aristotle conventions of tragedy"
Front
An accepted manner, model, or tradition
Back
APOSTROPHE
Front
The act of addressing some inanimate abstraction or person that is not physically present: It of tens helps the speaker to be able to express his or her thoughts aloud.
Back
EPISTROPHE
Front
In rhetoric, the repetition of a phrase at the end of successive sentences. For example: "if women are healthy and educated, their families will fourths. If women are free from violence, their families will flourish. if women have a chance to work.. their families will flourish."
Back
EPITAPH
Front
Writing in praise of a dead person. most often inscribed upon a headstone
Back
METAPHOR
Front
one thing pictures as if it were something else, suggesting a likeness or analogy, metaphor is an implicit comparison or identification of one thing with another, without the use of a verbal signal such as like or as, which is a simile. Shakespeare says " It is the east and juliet is the sun" directly simpering juliet to the sun. Sometimes the term metaphor is used as general term for any figure of speech.
Back
EULOGY
Front
A written passage in praise of a person; an oration in honor of a deceased person. Elegy laments; eulogy praises. Many eulogies are spoken in honor of the braves firefighters who heroically risk their lives while saving the lives of others.
Back
ANTITHESIS
"Alexander Pope reminds us that "to err is human, to forget divine"
Front
The juxtaposition of sharply contrasting ideas in balanced or parallel words, phrases, grammatical structure, or idea.
Back
COLLOQUIAL
"coke" "coca cola" "pop"
Front
A term identifying of the common, ordinary folks especially in specific region or area.
Back
Section 2
(27 cards)
TONE
Front
the attitude the narrator takes toward a subject and theme; the tenor of a piece of writing based on particular stylistic devices employed by the writing. Tone reflects the narrator's attitude
Back
VOICE
Front
the acknowledged or unacknowledged source of the words of the story; the speaker's or narrator's particular "take" on an ideas bases on a particular passage and how all the elements of the styles of the piece come together to express his or her feelings
Back
PERSONIFICATION
Front
treating an abstraction or nonhuman object as if it were a person by endowing it with human features or qualities. "tossing their head in sprightly dance" An example from a prose speech is: "Once again the heart of America is heavy. The spirit America weeps for a tragedy that denies the very meaning of our land.
Back
SIMILE
There was a steamy mist in all the hollows, and it had roared in its forlornness up the hill LIKE an evil spirit
Front
a direct, explicit comparison of one thing to another, usually using the words like or as to draw connection
Back
MOOD
Front
a feeling or ambience resulting from the tone of a piece as week as the writer/ narrator's attitude and point of view. It is a 'feeling' that established the atmosphere in a work of literature or other discourse
Back
METONYMY
Front
a figure of speech in which an attribute or commonly associated feature is used to name or designate something as in "Buckingham Palace announced today"
Back
RHETORICAL QUESTION
Front
a question that is asked simply for the sake of stylistic effect and is not expected to be answered.
Back
ONOMATOPOEIA
"Becca whacked the ball over the fence and took her time walking the bases."
Front
A word capturing or approximating the sound of what it describes; buzz is a good example/ The purpose of these words is to make a passage more effective for the reader or listener;
Back
REALISM
Front
attempting to describe nature and life without idealization and with attention to detail Marl Twain is an author of this school. Thoreau, with his romantic outlook toward nature, is not.
Back
REBUTTAL/REFUTATION
Front
an argument technique wherein opposing arguments are anticipated and countered
Back
SYNTAX
Front
the way words are put together to form phrases, clauses, and sentences. Syntax is sentence structure and how it influences the way the reader receives a particular piece of writing. It is important in establishing the tone of a piece and the attitude of the author/narrator. See loose sentence, parallel structure, and periodic sentence.
Back
PATHOS
Front
that elements in literature that stimulates pity or sorrow. In argument or persuasion, it tends to be the evocation of pity from the reader/listener. Think of it as the "poor starving children" approach to convincing you
Back
STYLE
Front
the manner in which as writer combines and arranges words, shapes ideas, and utilizes syntax and structure. It is the distinctive manner of expression that represents that author's typical wiring structure.
Back
OXYMORON
Front
A figure of speech that combines two apparently contradictory elements, as in "wise fool," "baggy tights," "deafening silence."
Back
SYMBOLISM
Front
use of a person, place, thing, event, or pattern that figuratively represents or "stands for" something else. Often the thing or idea represented is more abstract or general than the symbol, which is concrete."Everyone recognizes the symbol of the golden arches representing Mc Donalds"
Back
SARCASM
Front
a form of verbal irony in which apparent praise is actually critical. Sarcasm can be light and gently poke fun at something, or it can be harsh, caustic, and mean.
Back
THEME
Front
the central or dominant idea or focus of a work; the statement a passage makes about its subject
Back
SYNECDOCHE
Front
A figure of speech in which a part signifies the whole, such as "5- masts" representing 50 ships, or 100 head (of steer) had to be moved to their grazing land."
Back
PARADOX
Front
a statement that seems contradictory but is probably true. A popular paradox from the 1960s was that war protesters would 'fight for peace'
Back
PROSE
Front
the ordinary form of written language without metrical structure, in contrast to verse and poetry
Back
ZEUGMA
Front
a grammatically correct construction in which a word, usually a verb or adjective, is applied to two to more nouns without being repeated. Often used to comic effect. ("the thief took my wallet and the Fifth Avenue bus"
Back
RHETORIC
Front
the art of using words to persuade in writing or speaking. All types of writing may seek to persuade, and rhetoricians study writing for its persuasive qualities
Back
PERIODIC SENTENCE
"looking as if she were being chases by demons, ignoring all hazards, the child ran" or "The child, who looked as if she were being chased by demons, frenzied and ignoring all hazards, ran."
Front
a long sentence in which the main clause is not completed until the end.
Back
MODE OF DISCOURSE
Front
the way which information is presented in written or spoken form. The Greeks there were only four of discourse: narration, description, exposition, and argumentation. Contemporary thought often includes other modes, such as person observation and narrative reflection.
Back
PARALLEL STRUCTURE
Front
the use of similar forms in writing for nouns, verbs, phrases, or thoughts; for example. "Jane enjoys reading, writing, and skiing.' In pose, this is the parallel, recurrent syntactical similarity where several parts of a sentence or several sentences are expressed alike to show that their ideas are equal in importance. A Tale of Two Cities opens with "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness.
Back
POINT OF VIEW
Front
the relation in which a narrator stands to a subject of discourse. Determining point of view in nonfiction requires the reader to establish the historical perspective of what is being said
Back
NARRATIVE
Front
a mode discourse that ells a story of some sort. it is based sequences of connected events, usually presented in straightforward, chronological framework.