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Prarambhika Part II - Hindustani Vocal Classical

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17 cards

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Section 1

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Anuvaadi

Front

1 / 17

Hindustani Languages

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Last updated

6 years ago

Date created

Mar 1, 2020

Cards (17)

Section 1

(17 cards)

Anuvaadi

Front

-the other swars in a raag, excluding the vaadi and samvaadi swars -they are neither highlighted or downplayed -title is Sevak

Back

Antara

Front

the second part of a song

Back

Thaat

Front

-is a mother raag -derived from the 12 swars of a saptak -as per Pandit Vankat Mukhi, there are 72 thaats -each gives birth to 484 raags

Back

Samvaadi

Front

-second most important swar in a raaga -second most emphasized -has the title of Mantri or Minister -Bhairav: Rishab -Kaafi: Shadj

Back

Sangeet

Front

-means music -combination on 3 arts: vocal, instrumental, and dance

Back

Vivaadi

Front

-the swars that are not designated to be sung in a raaga -title is Shatru -they can spoil the melody -some musicians use vivaadi swars to improve the melody of a raaga

Back

Vaakra

Front

IN A RAAG WHILE DOING AAROH AND AVROH WE GO UP TO A PARTICULAR SWAR AND RETURN. EX: S R G R (G IS VAKAR) In a raag, when you sing aaroh and avroh, we go up to a particular swar and return back down. Ex: S R G R. G is the Vaakra swar

Back

Sanchari

Front

the third part of a song

Back

Swar

Front

-a melodious sound that soothes the hear -stable structure of sound -swars come out of naads -12 swars form a saptak, which are...

Back

Vaadi

Front

-most strongly emphasized note in a raaga -it is the most important swar in a raaga -title is Raja or King -not necessarily the most sang note, but it refers to a note of special significance -Bhairav: Dhaivat -Kaafi: Pancham

Back

Varjit

Front

-a swar that is not used in aaroh and or avroh -based on number of varjit swars, the jaati of a raaga is derived -Bhoopali: Gandhar & Dhaivat in aaroh and avroh -Khamaaj: Rishab in aaroh

Back

Abhog

Front

the fourth part of any song

Back

Avroh

Front

-the descending swars that go towards the lower saptak -P M G R S

Back

Sthayee

Front

the first part of a song

Back

Achaal

Front

-S & P -they have no second position (no komal or teevra)

Back

Naad

Front

-naad is a sound -22 naads -from these naads, the 12 swars of a saptak have been derived -7 of them are shudh swars and 5 of them are vikrut swars -of the 5 vikrut swars, 4 are komal (R G D N) and one is teevra (M)

Back

Aaroh

Front

-the ascending swars going towards the higher saptak -S R G M P

Back