Section 1

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Forced Rhyme

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Last updated

4 years ago

Date created

Mar 1, 2020

Cards (25)

Section 1

(25 cards)

Forced Rhyme

Front

"The cat sat on the mat"

Back

Masculine Rhyme

Front

Has a single stressed syllable rhyme.

Back

Rhyme

Front

A major aspect of sound in more formal verse.

Back

Visual Rhyme

Front

Slaughter and laughter.

Back

Feminine Rhyme

Front

A stressed syllable rhyme followed by an unstressed syllable.

Back

Rhyme Scheme

Front

Repetition of a rhyme throughout a poem.

Back

Perfect rhyme

Front

Where the two (or three or four) words are in complete aural correspondence

Back

Forced Rhyme

Front

An unnatural rhyme that forces a rhyme where it should not otherwise be.

Back

Internal Rhyme

Front

Rhyme comes in the middle of the line rather than the end.

Back

Feminine Rhyme

Front

Carrot and garret, sever and never.

Back

Perfect Rhyme

Front

The words are in complete aural correspondence.

Back

Sound

Front

When getting away from the straight rhythms of a poem, we get into the sounds. Nearly as many aspects of __________ as there is to rhythm.

Back

Perfect Rhyme

Front

Certain and Curtain.

Back

Petrarchan sonnet

Front

14 lines

Back

Vertical Movement

Front

If the meter is the poetic equivalent of the horizontal movement in a piece of music.

Back

A B B A A B B A C D C D C

Front

SOME candle clear burns somewhere I come by. I muse at how its being puts blissful back With yellowy moisture mild night's blear-all black, Or to-fro tender trambeams truckle at the eye. By that window what task what fingers ply, I plod wondering, a-wanting, just for lack Of answer the eagerer a-wanting Jessy or Jack There God to aggrándise, God to glorify.— Come you indoors, come home; your fading fire Mend first and vital candle in close heart's vault: You there are master, do your own desire; What hinders? Are you beam-blind, yet to a fault In a neighbour deft-handed? Are you that liar And, cast by conscience out, spendsavour salt?

Back

Slant Rhyme

Front

The words are similar but lack perfect correspondence.

Back

Internal Rhyme

Front

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of someone gently rapping, rapping at my chamber door. " 'Tis some visitor," I muttered, "tapping at my chamber door; Only this, and nothing more."

Back

Forced rhyme

Front

Because it does exactly that; forces the rhyme where it should not otherwise be. This method of rhyme can be used at times, but the poet should know that its effect is typically comic. Since one of the poet's end goals is inevitably to make the structure work for the poem, then the effective use of the different kinds of rhyme can serve these ends.

Back

Visual Rhyme

Front

A rhyme that only looks similar, but when spoken sound different. This type of rhyme can be used more to make a visual pattern than to make a aural rhyme.

Back

Slant Rhyme

Front

Found and kind, grime and game.

Back

Melody or Sorts

Front

If meter serves to cut up the poem into time.

Back

Free Verse Poem

Front

The presence of rhyme in a _______________ serves to offset those lines that rhyme. Think of the non-rhyming lines in free verse as establishing a pattern of not rhyming, then the use of rhyme breaks the aural and visual pattern and creates emphasis by variation from that pattern.

Back

Masculine Rhyme

Front

Fight and tight, stove and trove.

Back

Free Verse Poem

Front

You send me your poems, I'll send you mine. Things tend to awaken even through random communication. Let us suddenly proclaim spring. And jeer at the others, all the others. I will send a picture too if you will send me one two.

Back