a brief speech or comment that an actor makes to the audience, supposedly without being heard by the other actors on stage; often used for melodramatic or comedic effect
Back
interior monologue
Front
writing that records the conversation that occurs inside a character's head
Back
ode
Front
a long lyric poem, usually serious and elevated in tone; often written to praise someone or something
Back
allusion
Front
a reference to another work or famous figure assumed to be well known enough to be recognized by the reader
Back
foreshadowing
Front
the use of a hint or clue to suggest a larger event that occurs later in the work
Back
aphorism
Front
a short, often witty statement of a principle or a truth about life
Back
internal rhyme
Front
a rhyme occurring within a line of poetry, as in Edgar Allan Poe's "The Raven":
Once upon a midnight dreary, while I pondered, weak and weary
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping
As of some one gently rapping, rapping at my chamber door.
Back
onomatopoeia
Front
the use of words that sound like what they mean, such as hiss and boom
Back
meter
Front
the repetition of a regular rhythmic unit in a line of poetry
Back
lyric
Front
a type of brief poem that expresses the personal emotions and thoughts of a single speaker (most common type of poetry)
Back
naturalism
Front
a literary movement that grew out of realism in France, the United States, and England in the nineteenth centuries; it portrays humans as having no free will, being driven by the natural forces of heredity, environment, and animalistic urges over which they have no control (Stephen Crane and Jack London)
Back
hubris
Front
the excessive pride or ambition that leads a tragic hero to disregard warnings of impending doom, eventually causing his or her downfall
Back
end rhyme
Front
a rhyme that comes at the end of lines of poetry; for example:
Her voice, soft and lovely when she sings,
Came to me last night in a dream.
In my head her voice still rings,
How pleasant last night must seem.
Back
dissonance
Front
the grating of sounds that are harsh or do not go together
Back
free verse
Front
poetry that is written without a regular meter, usually without rhyme
Back
ballad
Front
a long narrative poem that presents a single dramatic episode, which is often tragic or violent
Back
exposition
Front
the immediate revelation to the audience of the setting and other background information necessary for understanding the plot; also, explanation; one of the four modes of discourse
Back
anecdote
Front
a short, simple narrative of an incident
Back
epic
Front
a long narrative poem about a serious or profound subject in a dignified style; usually featuring heroic characters and deeds important in legends; two famous examples include the Iliad and the Odyssey, both written by the Greek poet Homer
Back
diction
Front
the author's choice of words that creates tone, attitude, and style, as well as meaning
Back
imagery
Front
words or phrases that use a collection of images to appeal to one or more of the five senses in order to create a mental picture
Back
colloquialism
Front
a word used in everyday conversation and informal writing that is sometimes inappropriate in formal writing
Back
consonance
Front
the repetition of identical consonant sounds before and after different vowel sounds, as in boost/best; can also be seen within several compound words, such as fulfill and ping-pong
Back
inversion
Front
reversing the customary order of elements in a sentence or phrase; used effectively in many cases such as posing a question: "Are you going to the store?" Often used ineffectively in poetry, making it seem artificial and stilted, "to the hounds she rode, with her flags behind her streaming"
Back
figurative language
Front
language that contains figures of speech such as similes and metaphors in order to create associations that are imaginative rather than literal
Back
assonance
Front
the repetition of vowel sounds between different consonants, such as in neigh and fade
Back
foil
Front
a character who, by contrast, highlights the characteristics of another character
Back
anachronism
Front
an event, object, person, or thing that is out of order in time; some of these are unintentional, such as when an actor performing Shakespeare forgets to take off his watch; others are deliberately used to achieve a humorous or satiric effect, such as the sustained anachronism of Mark Twain's A Connecticut Yankee in King Arthur's Court
Back
description
Front
the picturing in words of something or someone through detailed observation of color, motion, sound, taste, smell, and touch; one of the four modes of discourse
Back
metonymy
Front
a figure of speech that uses the name of an object, person, or idea to represent something with which it is associated, such as using "the crown" to refer to a monarch
Back
foot
Front
the combination of stressed and unstressed syllables that makes up the basic rhythmic unit of a line of poetry
Back
irony
Front
a situation or statement in which the actual outcome or meaning is opposite to what was expected
Back
epigram
Front
a concise, witty saying in poetry or prose that either stands alone or is part of a larger work; may also refer to a short poem of this type
Back
narration
Front
the telling of a story in fiction, nonfiction, poetry, or drama; one of the four modes of discourse
Back
discourse
Front
spoken or written language, including literary works; the four traditionally classified modes of this are description, exposition, narration, and persuasion
Back
euphony
Front
a succession of harmonious sounds used in poetry or prose; the opposite of cacophony
Back
mood
Front
the feeling created in the reader by a literary work or passage (not to be confused with tone)
Back
iamb
Front
one unstressed followed by one stressed syllable, as in dis-turb
Back
analogy
Front
a comparison of two similar but different things, usually to clarify an action or a relationship, such as comparing the work of a heart to that of a pump
Back
metaphor
Front
a figure of speech which one thing is referred to as another; for example, "my love is a fragile flower"
Back
accent
Front
the stress given a syllable in pronunciation
Back
gothic
Front
referring to a type of novel that emerged in the eighteenth century that uses mystery, suspense, and sensational and supernatural occurrences to evoke terror
Back
alliteration
Front
the repetition of consonant sounds at the beginning of words that are close to one another; for example, "beautiful blossoms blooming between the bushes"
Back
objectivity
Front
an impersonal presentation of events and characters
Back
allegory
Front
an extended narrative in prose or verse in which characters, events, and settings represent abstract qualities and in which the writer intends a second meaning to read beneath the surface story; the underlying meaning may be moral, religious, political, social, or satiric
Back
blank verse
Front
poetry written in unrhymed iambic pentameter; a favorite form used by Shakespeare
Back
genre
Front
a type of literary work, such as a novel or poem; there are also subs such as science fiction novel and sonnet, without the larger ones
Back
cacophony
Front
harsh, awkward, or dissonant sounds used deliberately in poetry or prose; the opposite of euphony
Back
apostrophe
Front
the device of calling out to an imaginary, dead, or absent person or to a place, thing, or personified abstraction either to begin a poem or to make a dramatic break in thought somewhere within the poem (usually in poetry but sometimes in prose) Ex. "Oh, mountain!"
Back
hyperbole
Front
a deliberate exaggeration in order to create humor or emphasis
Back
Section 2
(50 cards)
romanticism
Front
a literary, artistic, and philosophical movement that began in the eighteenth century as a reaction against neoclassicism; the focal points of the movement are imagination, emotion, and freedom, stressing subjectivity, individuality, the love and worship of nature, and a fascination with the past
Back
couplet
Front
the simplest stanza, consisting of two rhymed lines
Back
cinquain
Front
five line stanza
Back
caesura
Front
a pause or break in a line of verse. Originally, in classical literature, this characteristically divided a foot between two works, usually near the middle of a line.
Back
synechdoche
Front
a figure of speech in which a part of something is used to represent a whole, such as using "boards" to mean "a stage" or "wheels" to mean "a car"
Back
villanelle
Front
a lyric poem consisting of five tercets and a final quatrain
Back
simile
Front
a figure of speech that uses like, as, or as if to make a direct comparison between two essentially different objects, actions, or qualities; for example, "the sky looked like an artist's canvas"
Back
tone
Front
the characteristic emotion or attitude of an author toward the characters, subject, and audience
Back
tercet
Front
three lines, usually having the same rhyme
Back
first person narrator
Front
a narrator, referred to as "I," who is a character in the story and relates the actions through his or her own perspective, also revealing his or her own thoughts
Back
stock character
Front
a standard character who may be stereotypes, such as the miser or the fool, or universally recognized, like the hard-boiled private eye in detective stories
Back
personification
Front
the attribution of human qualities to a nonhuman or inanimate object
Back
elision
Front
the omission of a letter or syllable as a means of contraction, generally to achieve a uniform metrical pattern, but sometimes to smooth the pronunciation; most such omissions are marked with an apostrophe. Alexander uses elision in "Sound and Sense": "Flies o'er th' unbending corn...."
Back
pastoral
Front
a poem about idealized rural life, or shepherds, or both; also called an idyll
Back
protagonist
Front
the main character of a literary work
Back
Petrarchan sonnet
Front
one of the most important types of sonnets, composed of an octave with an abba abba rhyme scheme, and ending in a sestet with a cde cde rhyme scheme; also called an Italian sonnet
Back
sestet
Front
six line stanza
Back
rhyme
Front
a similarity of accented sounds between two words, such as sad/mad
Back
persuasion
Front
one of the four modes of discourse; language intended to convince through appeals ot reason or emotion; also called argument
Back
parallelism
Front
the technique of arranging words, phrases, clauses, or larger structures by placing them side to side and making them similar in form
Back
realism
Front
a nineteenth-century literary movement in Europe and the United States that stressed accuracy in the portrayal of life, focusing on characters with whom middle-class readers could easily identify
Back
tragic flaw
Front
the one weakness that causes the downfall of the hero in a tragedy
Back
litotes
Front
a figure of speech in which a positive is stated by negating its opposite. Some examples of these: no small victory, not a bad idea, not unhappy. ________, which is a form of understatement, is the opposite of hyperbole
Back
stanza
Front
a group of lines in the formal pattern of a poem
Back
subjectivity
Front
a personal presentation of events and characters, influenced by the author's feelings and opinions
Back
oxymoron
Front
a figure of speech composed of contradictory words or phrases, such as "wise fool"
Back
theme
Front
the central idea or "message" of a literary work
Back
sarcasm
Front
harsh, caustic personal remarks to or about someone; less subtle than irony
Back
speaker
Front
the voice of a poem; an author may speak as himself or herself or as a fictitious character
Back
refrain
Front
a line or group of lines that is periodically repeated throughout a poem
Back
stereotype
Front
a character who represents a trait that is usually attributed to a particular social or racial group and lacks individuality
Back
existentialism
Front
a group of attitudes (current in philosophical, religious, and artistic thought during and after the Second World War) that emphasizes existence rather than essence and sees the inadequacy of human reason to explain the enigma of the universe as the basic philosophical question.
Back
attitude
Front
an author's, speaker's, character's opinion of or feelings toward a subject. Attitudes may shift either slightly or from on extreme to the other. Authors often create readers' attitudes by manipulating characters' attitudes.
Back
objective narrator
Front
a third person narrator who only reports what would be visible to a camera; thoughts and feelings are only revealed if a character speaks of them
Back
sonnet
Front
a fourteen-line lyric poem in iambic pentameter
Back
detail
Front
items or parts that form a larger picture or story. Authors choose or select details to create effects in their works or evoke responses from the reader.
Back
octave
Front
eight line stanza
Back
omniscient narrator
Front
a third person narrator, referred to as "he," "she," or "they," who is able to see into each character's mind and understands all the action
Back
terza rima
Front
a three-line stanza, supposedly devised by Dante with rhyme scheme aba bcb cdc ded and so forth. In other words one rhyme sound is used for the first and third lines of each stanza, and a new rhyme introduced for the second line, this new rhyme, in turn, being used for the first and third lines of the next stanza. The opening of Shelley's "Ode to the West Wind" is written in this.
Back
symbolism
Front
the use of symbols, or anything that is meant to be taken both literally and as representative of a higher and more complex significance
Back
point of view
Front
the perspective from which a story is presented
Back
limited omniscient narrator
Front
a third person narrator who only reports the thoughts of one character, and generally only what that one character sees
Back
regionalism
Front
an element in literature that conveys a realistic portrayal of a specific geographic locale, using the locale and its influences as a major part of the plot
Back
syntax
Front
the structure of a sentence; the juxtaposition of words in a sentence. Discussion of syntax in a work could include discussion of the length or brevity of sentences, the kinds of sentences (declarative, interrogative, exclamatory, imperative sentences, rhetorical questions; simple, complex, or compound sentences) and the impact on the reader of the author's choice of sentence structure.
Back
aubade
Front
a lyric about a dawn or a morning serenade, a song of lovers parting at dawn.
Back
quatrain
Front
four line stanza
Back
style
Front
an author's characteristic manner of expression
Back
stream of consciousness narrator
Front
like a first person narrator, but instead placing the reader inside the character's head, making the reader privy to the continuous, chaotic flow of disconnected, half-formed thoughts and impressions as they flow through the character's consciousness
Back
enjambment
Front
the continuation of a complete idea (a sentence or clause) from one line or couplet of a poem to the next line or couplet without a pause. This occurs in run-on lines and offers contrast to end-stopped lines.
Back
elegy
Front
a poem that laments the death of a person, or one that is simply sad and thoughtful.
Back
Section 3
(24 cards)
unreliable narrator
Front
a narrator whose account of events appears to be faulty, misleadingly biased, or otherwise distorted
Back
flat character
Front
rarely the central characters in a narrative. They stay the same throughout a story. (Opposite of dynamic characters)
Back
paradox
Front
a statement that at first strikes one as contradictory, but that on reflection reveals some deeper sense
Back
epistolary novel
Front
A novel in which the story is told by way of letters written by one or more of the characters.
Back
novella
Front
a prose narrative longer than a short story but shorter than a novel. Ex. The Metamorphosis
Back
opposition
Front
A pair of elements that contrast sharply- not necessarily a conflict, but rather a pairing of images, whereby each becomes more striking and informative because it's paired in contrast to the other one.
Back
connotation
Front
an association or additional meaning that a word, image, or phrase may carry, apart from its literal denotation or dictionary definition.
Back
soliloquy
Front
in drama, a character speaks alone on stage to allow his/her thoughts and ideas to be conveyed to the audience
Back
flashback
Front
a scene relived in a character's memory
Back
carpe diem
Front
Latin for "seize the day." This phrase has been applied to characterize much lyric poetry concerned with human mortality and the passing of time.
Back
dynamic character
Front
A character who, during the course of the narrative, grows or changes in some significant way.
Back
antagonist
Front
the most significant character or force that opposes the protagonist in a narrative or drama. The antagonist may be another character, society, a force of nature, or even conflicting impulses within the protagonist
Back
dialect
Front
a particular variety of language spoken by an identifiable regional group or social class of persons. Usually used in literature in an attempt to present a character more realistically and to express significant differences in class or background.
Back
sestina
Front
A type of fixed form poetry consisting of thirty-six lines of any length divided into six sestets and a three-line concluding stanza called an envoy. The six words at the end of the first sestet's lines must also appear at the ends of the other five sestets, in varying order. These six words must also appear in the envoy, where they often resonate important themes.
Back
Shakespearean sonnet
Front
a sonnet consisting of three quatrains and a concluding couplet in iambic pentameter with the rhyme pattern abab cdcd efef gg. Also called an English sonnet.
Back
epiphany
Front
a moment of insight, discovery, or revelation by which a character's life is greatly altered
Back
juxtaposition
Front
placing two elements side by side to present a comparison or contrast
Back
eye rhyme
Front
Rhyme in which the spelling of the words appears alike, but the pronunciations differ, as in laughter/daughter and idea/flea.
Back
slant rhyme
Front
imperfect rhyme. Occurs when final sound of word at end of a line of poetry is the same as another, but preceding sound is different. Ex. wind/kind
Back
anaphora
Front
the repetition of words or phrases at the beginning of consecutive lines or sentences,example:
"With malice toward none;
with charity for all;
with firmness in the right,"
(Lincoln's second inaugural address)
Back
conflict
Front
The central struggle between two or more forces in a story. This typically occurs when some person or thing prevents the protagonist from achieving his or her intended goal.
Back
deus ex machina
Front
"god from the machine" refers to the intervention of a supernatural being, such as a god, devil, or angel, to resolve a dramatic dilemma.
Back
motif
Front
an element that recurs throughout a narrative. A motif can be an image, idea, theme, situation, or action.