When an absent person, an abstract concept, or an important object is directly addressed.
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Autobiography
Front
A truthful account of the life of a person, as told and written by that person.
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Ad hominem
Front
Appealing to persona considerations rather than to logic or reason.
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Dialect
Front
A regional variety of language, often with distinct accents and usage, including but not limited to whole phrases.
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Static Character
Front
A character of one dimension and personality trait who remains unchanged by the events of the literary work in which he/she resides.
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Scene
Front
A small division of drama within an act, usually of the same setting as the act, but not by definition.
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Euphemism
Front
The act or an example of substituting a mild, indirect, or vague term for one considered harsh, blunt, or offensive.
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A priori
Front
Involving deductive reasoning from a general principle to a necessary effect; not supported by facts.
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Tone
Front
The attitude the author has toward the work, displayed through the language being used.
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Irony
Front
A contrast between what is stated and what is meant; there are verbal irony, situational irony, and dramatic irony.
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Novella
Front
A prose fictional narrative containing all the elements of a novel but much shorter.
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Paradox
Front
A seemingly contradictory statement that may nonetheless be true.
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Vice
Front
An evil, degrading or immoral practice of habit; a serious moral failing.
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Colloquialism
Front
A local variation of language, as in a word or phrase, found within particular dialects.
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Denotation
Front
The EXPLICIT meaning of a word or a particular meaning of a symbol.
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Dynamic Character
Front
A character who undergoes growth and development during the literary work in which he/she resides.
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Analysis
Front
The separation of an intellectual whole into its component parts in order to better understand and to reach a truth.
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Allusion
Front
A reference to another work of literature or to a part of another work of literature or to a moment in history.
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Stream-of-consciousness
Front
The unbroken flow of thought and awareness of the waking mind; a special mode of narration that undertakes to capture the full spectrum and the continuous flow of a character's mental processes.
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Protagonist
Front
The central character of a narrative, the character through whom the lesson of the story is learned.
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Insight
Front
The act of outcome of grasping the inward or hidden nature of things which in turn tells the grasper a significant message about herself/himself; makes the learning personal, owned.
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Stereotype
Front
A conventional and oversimplified opinion or belief about a person or group of people who may share similar characteristics; taking one characteristic of an individual and spreading that characteristic over the group that individual belongs to.
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Foreshadow
Front
To use details and images to hint at events to come in the narrative.
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Omniscient
Front
The third person narrator who sees all and know all -even the thoughts- about the character of the story.
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Virtue
Front
The quality of moral excellence, righteousness, and responsibility, probity; goodness.
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Paraphrase
Front
To put the words of the author into your own words.
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Dialogue
Front
The spoken words of two or more character within a narrative.
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Paradigm
Front
A set of assumptions, concepts, values, and practices that constitutes a way of viewing reality for the community that shares them, especially in an intellectual discipline.
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Biography
Front
A truthful account of the life a person, told and written by another person.
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Conflict
Front
The struggle between two opposing forces in a piece of literature, which the story is built around- The forces are the protagonist and the antagonist.
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Purple patch
Front
A selection of writing which contains an unusual piling up devices in such a way as to evidence a self-conscious literary effort; a colorful passage standing out from the writing around it.
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Situational Irony
Front
An EVENT where the opposite of what's expected happens.
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Superego
Front
The part of the personality which acts as a moral monitor to the behaviors of the individual. It is the faculty that seeks to police what it deems unacceptable desires; it represent all moral restrictions.
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Dramatic Irony
Front
When the reader or audience knows something a character does not know, and that knowledge in important to the flow of events.
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Historical Fiction
Front
A narrative which tells the story of a real moment in history but embellishes it at least slightly (factual, dated).
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Connotation
Front
Another significant meaning of a word, often steeped in symbol or feeling.
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Imagery
Front
The picture in your mind that the words from the page create; can be figurative, symbolic, or literal.
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Indirect Quotation
Front
Using the words of the author, though not in a direct, word-for-word borrowing.
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Tragic Hero
Front
A person of noble birth whose personal destruction is in some way involved w/ the well being of his/her world and who faces a battle of morals; her/his destruction comes from a flaw with his/her personality.
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Catharsis
Front
The releasing of certain emotions in the audience: a feeling of pity and hatred for the actions of the tragic hero.
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Characterization
Front
The manner by which an author develops a character within a narrative.
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Act
Front
A division within the drama, usually seen as the "chapter" of a novel.
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Metaphor
Front
A comparison of unlike things without using 'like' or 'as.'
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Style
Front
The language used by the writer, as well as the narrative techniques used, working together to form the full aspect of the printed material in front of us.
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Oedipus Complex
Front
A psychological aspect where a child, usually male, has strong, even desirous feelings for the parent of the opposite sex.
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Rhetoric
Front
The body of principles and theory having to do with the presentation of the facts and ideas in clear, convincing, and attractive language.
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Ego
Front
Represents and enforces principle reality. Oriented towards perceptions in the real world and associated with reason and sanity.
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Complex Character
Front
A character w/ different traits and aspects of personality but who neither grows nor changes during the literary work in which he resides.
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Nemesis
Front
That force which restores order within a tragedy, named for the goddess of retributive justice.
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Direct Quotation
Front
Using the words of a source directly.
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Section 2
(24 cards)
Metonymy
Front
Substituting a word for another word closely associated with it.
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Idiomatic
Front
Of or pertaining to, or conforming to, the mode of expression peculiar to a language.
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Symbol
Front
Something which stands for and represents itself but also stands for something much greater than itself.
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Flashback
Front
Stopping the flow of the narrative to return to a setting or even earlier in the tale, even to events that predate the earliest part of the plot.
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Tragedy
Front
A literary work, usually a drama, which deals with human themes; several elements are involved: hamartia, hubris, catharsis, nemesis; in a tragedy, a hero will fall due to elements within the personality.
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Hubris
Front
Excessive pride, especially found within the tragic hero.
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Narrative
Front
The story of a fictional or actual events as told by the teller.
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Hagiography
Front
A biography that idealizes or idolizes the person (especially a person who is a saint).
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Drama
Front
A full-length work of fiction that is written in dialogue, meant to be performed upon a stage.
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Histrionics
Front
A deliberate display of emotion for effect.
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Novel
Front
A full-length prose fiction where the narrative is the chief story-telling element and several conflicts, settings, and characters will dwell.
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Short Story
Front
A fictional prose, dealing essentially with a single conflict, which can be read in a single session.
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Naturalism
Front
A factual representation, conforming to nature, especially in art and literature.
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Local color
Front
The interests or flavor of a specific locality as expressed in a story through language.
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Description
Front
The words the author uses to fully detail a place or thing; these words will bring pictures to the mind.
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Climax
Front
The point in the story when the conflict is resolved- where we know who wins this conflict, the protagonist or the antagonist.
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Realism
Front
A truthful representation, with an inclination toward pragmatism, that is accurate to life's xpression.
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Parallelism
Front
A structural arrangement of parts of a sentence, sentences, paragraphs, and larger units of composition by which one element of equal importance with another is similarly developed and phrased.
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Hamartia
Front
The tragic flaw of a tragic hero; that which will make the hero fall; this needs to be a trait that is generally considered a good thing.
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Pleasure Principle
Front
The concept that pleasure is the only thing that matters and any manner of attaining it is fine; often this is the role of the Id, the earliest part of the developing personality.
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Reality Principle
Front
The function which monitors the Id; the concept that some things are more important than immediate pleasure, namely, the continuation of pleasure after the initial gaining of it.
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Dichotomy
Front
Division into two usually contradictory parts or opinions.
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Denouement
Front
The point in the story after the conflict is resolved.
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Pathetic Fallacy
Front
False emotionalism in writing resulting in a too impassioned description of nature; it is the carrying over to inanimate objects the moods and passions of a human being.