Section 1

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CONCHITA: Yes, you're right. And I don't know what good he gets from losing all that money.

Front

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Last updated

6 years ago

Date created

Mar 1, 2020

Cards (38)

Section 1

(38 cards)

CONCHITA: Yes, you're right. And I don't know what good he gets from losing all that money.

Front

PALOMO: Oh, that's something we'll never know. (Beginning to roll)

Back

CONCHITA: I don't mind rolling cigars.

Front

PALOMO: And what's so good about rolling cigars?

Back

CONCHITA: You would say something like that.

Front

PALOMO: Why? Because I like money?

Back

CONCHITA: You don't care about anything, do you? Juan Julian could reading a book by José Martí or Shakes- peare and everything goes in one ear and out the other.

Front

PALOMO: I pay attention to,what he reads. I just don't take everything to heart the way you do.

Back

CONCHITA: Plenty.

Front

PALOMO: Plenty can be a lot of money.

Back

CONCHITA: Places made of dreams.

Front

PALOMO (Laughs; becoming playful): You're a strange creature, Conchita. I don't know why I married you.

Back

CONCHITA: No. I asked you a simple question about a love story and you're being foolish.

Front

PALOMO: Never mind.

Back

CONCHITA: Ah, the truth comes out. That explains everything. You never really cared for me.

Front

PALOMO: Are you trying to start a fight?

Back

CONCHITA: I have the same right as you do.

Front

PALOMO: This book will be the end of us.

Back

CONCHITA: I'm talking about literature and you talk about money.

Front

PALOMO: And what do you want me to say?

Back

CONCHITA: Things that you wouldn't tell me, afraid that I might not understand.

Front

PALOMO: Like what?

Back

CONCHITA: And how do you like the novel that Juan Julian is reading to us?

Front

PALOMO: I like it very much.

Back

CONCHITA: And if I tell you that I want to cut my hair, change the way I dress and take on a lover.

Front

PALOMO: Say that again?

Back

CONCHITA: I want you to talk about the story, the charac- ters...

Front

PALOMO: Wouldn't you like to have all the money they have? So you don't have to spend the whole day rolling cig- ars and working after hours so we can save money and have our own business.

Back

CONCHITA: Oh, I could see the husband so clear in the novel. How the thoughts would take shape in his mind, as they have in my own mind. I mean, not the same ... No, no . . . Not the same, because he's an educated man, surrounded by culture and wealth, and I'm just a cigar roller in a factory. He is well bred and sophisti- cated. I barely get by in life. But with this book I'm seeing everything through new eyes. What is happening in the novel has been happening to us. No. Don't look at me that way. You might not want to admit it, but Anna and her husband remind me of us. Except I'm more like the husband.

Front

PALOMO: So wha bes that make me then, Anna Karenina?

Back

CONCHITA: And do you ever think about everything that's happening between Anna Karenina and her husband?

Front

PALOMO: I do... But I...

Back

CONCHITA: Not anymore.

Front

PALOMO: Well, that's a change.

Back

CONCHITA: The part about the lover.

Front

PALOMO: It seems like in every novel there's always a love affair.

Back

CONCHITA: You married me because the day you met me, I gave you a cigar I had rolled especially for you and when you smoked it, you told me I had slipped into your mouth like a pearl diver.

Front

PALOMO: I told you that?

Back

CONCHITA: Don't you think we've already come to the end?

Front

PALOMO: No...I...

Back

CONCHITA: Well, you should. Do you remember that part of the book in which Anna Karenina's husband is suspi- cious of her having an affair with Vronsky? Remember when he paces the room, like a lost animal.

Front

PALOMO: I know what you're getting at.

Back

CONCHITA: Jealousy. For Anna's husband jealousy is base and almost animalistic. And he's right. He would never want Anna to think that he's capable of such vile and shameful emotions.

Front

PALOMO: But you can't help being jealous. It's part of your nature.

Back

CONCHITA: I just want to have a civilized conversation. The same way the characters speak to each other in the novel. I've learned many things from this book.

Front

PALOMO: Such as?

Back

CONCHITA: You are the one who has the secret love, not me.

Front

PALOMO: Oh, come on. It's late. Let's go home. I can't work like this.

Back

CONCHITA: My mind wanders to other places.

Front

PALOMO: What places?

Back

CONCHITA: I'd like to know what she's like. And what does she do to make you happy?

Front

PALOMO: Ah, let's go home.

Back

CONCHITA: Not the places I go to in my mind.

Front

money can't everything. PALOMO: And what kind of places are you talking about?

Back

CONCHITA: Doesn't it make you uncomfortable?

Front

PALOMO: Why would it make me uncomfortable?

Back

CONCHITA: Why?

Front

PALOMO (Abruptly): Because I don't want to talk about these things! (A pause.)

Back

CONCHITA: That's exactly what Anna said when the husband confronted her about the lover: "It's late. Let's go to sleep."

Front

PALOMO: I think you're taking this a little too far.

Back

CONCHITA: Yes, you did. After blowing a blue ring of smoke out of your mouth. And the words lingered in the air like a zeppelin and I thought to myself, I could fall in love with that mouth.

Front

PALOMO: As far as I can remember, I married you because I couldn't untie your father's hands from around my neck.

Back

CONCHITA: You don't make love to me like you used to.

Front

PALOMO: Well, we ... You and I.. . We ...

Back

CONCHITA: Places and things money can't buy.

Front

PALOMO: Money can buy everything.

Back

CONCHITA: Am I? Have you ever heard the voice of someone who's deaf? The voice is crude and ancient, because it has no sense of direction or place, because it doesn't hear itself and it doesn't know if anybody else in the world hears it. Sometimes I want to have a long con- versation with you, like this. Like a deaf person. As if I couldn't hear you or myself. But I would just talk and talk, and say everything that comes my mind, like a shell that shouts with the voice of the sea and it doesn't care if anybody ever hears it. That's how I want to speak to you, and ask you things.

Front

PALOMO: And what's the use of talking like this? What sort of things do you want to ask me?

Back

CONCHITA: So what's going to happen to us, Palomo?

Front

PALOMO: I don't know. Do you want a divorce? We could travel to Reno and be divorced in six weeks. But your family will be opposed to it, and the same with mine. So divorce is out of the question.

Back

CONCHITA: Yes, like you do.

Front

PALOMO: Ave Maria purissima!

Back

CONCHITA: What I just said.

Front

PALOMO: You want to have a lover?

Back

CONCHITA: So what goes through your mind when you listen to the story?

Front

PALOMO: I think of the money all those people have.

Back