Repetition at the beginning of successive clauses or sentences (or lines in poetry). EFFECT: emphasize or connect ideas
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Epistrophe
Front
Repetition at the end of successive sentences or clauses (or lines of poetry). EFFECT: emphasize or connect ideas.
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Antimetabole
Front
A "mirrored" sentence effect in which a sentence or clause is reversed in a subsequent sentence or clause. EFFECT: emphasize or connect two ideas
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Climax
Front
Series of examples with the final example in the series being the most important or receiving the most emphasis. EFFECT: emphasize the most important object in a set
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Parallelism
Front
Similar syntactical pattern in multiple sentences, clauses, paragraphs. EFFECT: emphasize or connect ideas
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Polysyndeton
Front
In a series, the use of no commas with an excessive amount of coordinating conjunctions. EFFECT: extend an idea or overwhelm the reader
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Alliteration
Front
Repetition of consonant sounds in successive words. EFFECT: emphasize or connect ideas; create rhythm (mostly for poetry)
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Anastrophe
Front
Normal subject/predicate order or modifier/subject or modifier/predicate order is inverted. EFFECT: emphasize a different aspect of the sentence
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Juxtaposition
Front
Two ideas/objects/whatever are compared/contrasted. EFFECT: um . . . to compare or contrast two ideas?
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Asyndeton
Front
In a series, the use of commas without coordinating conjunctions (FANBOYS) to separate the commas. EFFECT: quickens the pace; creates rhythm
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Antithesis
Front
Parallelism that creates a negation. EFFECT: reveal a truth through negation; contrast two ideas
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Rhetorical question
Front
Asks a question to which no answer need be provided. EFFECT: Audience supplies their own answer because answer is implied or obvious; connects audience to questioner ("Hey, we both have the same answer! That means we believe the same stuff!")
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Circumlocution
Front
An idea that could be simply expressed is elaborately expressed. EFFECT: usually creates humor